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sennheiser mk4 for voice over

Condenser microphones, which are the most commonly used type of microphone for voice over (see the next question for more detail), require phantom power. Spending a little bit more on the microphone essentially “future proofs” you, and means you can keep using it as your career develops. Output volume is what you would expect it to be: it is the level of the sound coming out of your computer via the external interface. [email protected], Voquent The Blue Yeti Pro is probably the best USB mic for voice over. Privacy Policy & Cookies | All rights reserved. What accessories do I need with a microphone? Best Interfaces & Pre-amps for Voice-Over, Top Operating Systems and Editing Software for Voice Over. The price tag, inevitably, reflects this quality and prestige. If you are just starting out as a casual voice artist, then going for a cheaper microphone will be plenty good enough, and won’t have a detrimental impact on your career. Having a single knob allowing you to adjust this as required is much easier than fiddling with the computers’ volume controls when you are in the middle of recording. Neumann are a German manufacturer owned by Sennheiser, and you will be certain to find at least one of their microphones, or an historical variant such as the U47, in every high-end professional audio or music studio. Whilst it is possible to spend thousands of pounds on an extremely high quality studio microphone, such as the type used in a professional recording studio, it is not necessary to spend this much to achieve a professional quality sound. Gain is the term used for the input level of the microphone. Acoustic Treatment Basics for Voice Over Studios, Portable Voice-Over Studio – What You Need to Know, 7 DOs and DON’Ts of working with agencies, An audio interface capable of running phantom power, At the higher end of the mid-priced microphones, at around £/$/€300-. What is the Best Headphones for Voice-Over? These high-quality parts can make a substantial difference, and you will be certain of the microphone lasting for decades with no noticeable deterioration in audio quality. However, this aims to be an introduction to setting up a home studio, as well as explaining the merits of choosing certain types of microphones and set-ups over others. It features a 1 inch true condenser capsule based on the acoustics of the e 965 high-end vocal mic, optimised for recording. The sensitive A/D conversion is provided by high-end Apogee technology. This microphone may be found for less than £500($700/€850), if you buy it secondhand, but it will very likely be more than that (between £500-£600). It is important to remember that no one microphone will sound exactly the same for two people. There is no prize, but if you’ve gone with my recommendations you’ve decided to get: There are an extraordinarily wide variety of microphones within the category of “large diaphragm condenser microphones”, so I will provide some options within various price ranges below. This includes a microphone, headphones AND an external audio interface, for less than the average cost of the Blue Yeti Pro Studio. There will be a knob associated to each input that allows you to quickly and finely adjust the level of input from the microphone. There are two types of condenser – large diaphragm and small diaphragm. Sweet. Microphone technique is critically important for all voice-over work. Behringer have a reputation for “cheap and cheerful” stuff in the professional audio world, but almost every studio will have at least one piece of Behringer equipment in it. Tascam are a similarly high-end audio equipment manufacturer as Focusrite, and you will be getting a similar high quality. The Tascam brand tends to be used more as mixers and recording devices on filming sets and locations, so the quality of your audio will be equal to anything else recorded for any project you may be working on. There are many ways to hire a professional voice actor online and the way YOU choose will depend on... Picture the scene: your production is finished. This field is for validation purposes and should be left unchanged. Phantom power is not some sort of ghostly superpower – unless you think electricity is magic (which is a debate for a different blog post). What is the Best Microphones for Voice-Over? Phew! At the higher end of the mid-priced microphones, at around £/$/€300- £/$/€ 400, is the AKG C214. For mid-high budget:  The Focusrite Scarlett Solo is a little more expensive than the other two options, near the £100 ($109/€100) mark, but for that you are getting a piece of equipment that is exactly the same to the larger interfaces you will see in professional recording studios, only smaller. Focusrite pre-amps are professional quality, and the one you get in this single track model is no different to those in the larger ones that professional studios use. As mentioned above, condenser microphones differ from dynamic microphones in their technical requirements, primarily that condensers require phantom power.

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